Free Library: Sanskrit + transliteration + English + Hindi + Gujarati meanings. EN 24782/24782; HI 24782/24782; GU 24782/24782; chapters 645. Meanings are machine-assisted study drafts, not a scholarly edition.
In the glorious Vālmīki Rāmāyaṇa, in the Ayodhyā Kāṇḍa, the sixty-fifth canto. The transmitted form पञ्चषष्ठितमः is irregular; in the chapter context, “sixty-fifth” is the likely sense. Then, when the night had passed, precisely at dawn, on the following day, the bards attended that royal residence.
The charioteer-bards, highly cultivated, auspicious, and excellently learned, and the singers skilled in praise, recited separately, each in turn. The compound transmitted as “मङ्गLआश्चोओत्तमश्रुताः” is textually irregular; it appears to convey “auspicious and excellently learned,” but its exact written form is uncertain.
As they praised the king, the sound of those men, whose blessings were uttered in elevated tones, spread through the palace halls. The transmitted form स्तुताम् is grammatically unclear; the contextual sense is “as they praised” or “of those praising.”
CC BY-SA 4.0 · Free Library: Sanskrit + transliteration + English + Hindi + Gujarati meanings. EN 24782/24782; HI 24782/24782; GU 24782/24782; chapters 645. Meanings are machine-assisted study drafts, not a scholarly edition.
AI-generated draft · unreviewed · machine-assisted · CC BY-SA 4.0